PRÝNCESS enters like a lightning strike: raw, feminine, and unapologetically loud about who she is. Born in Manhattan and raised in Atlanta, she grew up inside the pulse of pop, rock, and R&B, shaped by icons like Michael Jackson and Prince. Self-taught and rooted early in the local church scene, she learned fast that storytelling wasn’t a hobby—it was her first rebellion. Her voice, presence, and worldview carry the energy of someone who has never accepted being told who she should be.
Her sound is the world she built: a fusion of funk and pop with a rebel backbone. It’s feminine in confidence, sharp in delivery, and grounded in truth. The hooks don’t come with empty sparkle—they come with opinion, perspective, and emotion that doesn’t flinch. PRÝNCESS writes from the reality of growing up in a world that asks young women to soften their feelings, shrink their reactions, and “calm down.” She refuses the memo. Instead, she leans into intensity and turns that intensity into identity.
Visually, it’s the same philosophy: nothing manufactured, nothing borrowed. Her styling and presence feel shaped by streets, shows, and real-life rough edges—softness and steel, power and vulnerability, intuition and impact. Her upcoming debut album, Girl Power, promises to embody that spirit: choosing yourself, choosing freedom, even when the world expects you to fold.
PRÝNCESS sings for the girls who have been told they’re too loud, too emotional, too opinionated, too bold—too much. She flips that accusation into a flag. She’s not here to adapt to the scene. She’s here to change the conversation.
“Toys” is a pop-rock banger with boundaries
Her latest track, “Toys,” is pop-rock at full speed—dynamic, punchy, built for movement. From the first “Don’t stop… let’s get it,” the record runs on pure momentum, like it was designed for jumping, shouting, and reclaiming the room.
The verses paint a playful, hyper-pop universe with a bite: “Sugar and spice,” “Powerpuff girls,” rolling deep with her girls, dancing in the street, living free. It’s glossy and colorful—yet the attitude is crystal clear: do what you do, but don’t bother me. When people “talk real slick,” she doesn’t argue. She walks past in “brand new kicks,” confidence doing the speaking.
Then the chorus lands like a manifesto you can sing with your fists in the air. PRÝNCESS rejects the roles women are pushed into—weak, quiet, easy to manipulate. She refuses to be a “toy” someone can play with, control, and discard whenever they feel like it. The line hits because it’s simple, direct, and brutally relatable: you don’t get her mind, her time, or her tears on demand.
The bridge keeps the crowd energy high—if you’re not here to party, hit the door—before the final stretch leans into electro-flavored punch (“Electro hits, this is it”), pushing “Toys” into proper club territory. It’s fun, it’s loud, it’s fearless. But underneath the bounce is a backbone: this is celebration with a hard boundary line.
Streaming and socials
Spotify: https://open.spotify.com/artist/4rZKv505SlTFRbNmmmRhmt
Apple Music: https://music.apple.com/us/artist/pr%C3%BDncess/1843291392
Bandcamp: https://pryncessofficial.bandcamp.com/
TikTok: https://www.tiktok.com/@pryncessofficial
Instagram: https://www.instagram.com/pryncessofficial/
“Toys” isn’t just a catchy pop-rock rush—it’s a reminder, in the middle of the dancefloor, that softness doesn’t cancel strength, and confidence doesn’t need permission. PRÝNCESS says it loud—and it sticks.
