A Free 1176-Style Compressor That Brings Bite Back to Your Mix
A good 1176-style compressor doesn’t politely “control dynamics.” It grabs them by the collar, shakes out the lazy peaks, and leaves you with something louder, tighter, and more alive.
- A Free 1176-Style Compressor That Brings Bite Back to Your Mix
- What LS 1176 PURLE Is Trying to Capture
- Key Features at a Glance
- How to Use It Like an 1176 (Without Fighting It)
- Practical Starting Points (Fast Wins)
- Vocals: upfront, controlled, still human
- Bass: heavy and steady, no flab
- Drums: explosive but disciplined
- Guitars: bold without flattening
- Drum Bus / Parallel: the “bigger kit” trick
- Download & Install
- AUDIARTIST
That’s the promise behind LS 1176 PURLE (aka “PURPLE”), a free compressor plug-in released by Lotus Sound Audio on Patreon. It aims for a classic 1176 “purple-flavored” attitude: fast, punchy, gritty when pushed, and perfect when you want a track to sit in front without sounding sterile.
Official site: https://lotussoundaudio.com/
Release page (download): https://www.patreon.com/posts/ls-1176-purle-145772240
What LS 1176 PURLE Is Trying to Capture
The 1176 family is famous for one thing: speed with personality. It’s the compressor you reach for when you need energy, presence, and that “finished record” grip—especially on sources that need to cut through a dense mix.
LS 1176 PURLE follows that philosophy with a sound designed to feel big, aggressive, and modern, while keeping the classic workflow that makes 1176-style compressors so addictive.
Key Features at a Glance
LS 1176 PURLE is built for:
- Big, aggressive, punchy compression
- Ratios up to 40:1 (when you want dynamics on a short leash)
- Strong results on:
- heavy bass
- lead vocals
- guitars
- explosive drums
- drum bus / parallel compression
How to Use It Like an 1176 (Without Fighting It)
Drive with Input, match with Output
On 1176-style compressors, the Input is your “how hard do I hit it?” knob. The Output is your “cool, now make it the same loudness” knob.
Rule of thumb: if it sounds better only because it’s louder, your ears just got sponsored by volume.
Attack & Release = groove control
- Slower attack (for an 1176) keeps punch and consonants
- Faster release adds excitement and bounce
- Too fast on both can turn things crispy in a bad way (like over-toasted bread that still won’t admit it’s burnt)
Ratio is a vibe
Higher ratios don’t just compress more — they change density and attitude. Use the extreme ratio options when you want a more “effect” style compression or a parallel smash channel.
Practical Starting Points (Fast Wins)
Vocals: upfront, controlled, still human
- Ratio: medium to high
- Attack: not the fastest
- Release: medium-fast
- Push Input until peaks settle, then level-match Output.
Bass: heavy and steady, no flab
- Ratio: medium
- Attack: medium
- Release: timed to the groove
If it pumps too much, ease the release or try parallel compression.
Drums: explosive but disciplined
- Kick/snare: slightly slower attack to keep the smack
- Rooms/overheads: faster attack + faster release for hype
If cymbals get spitty, back off Input or slow the attack a touch.
Guitars: bold without flattening
- Ratio: medium
- Attack: medium-fast
- Release: medium
Great for locking guitars into place so they stop wandering around your mix like they lost their keys.
Drum Bus / Parallel: the “bigger kit” trick
- Send drums to an aux
- Crush the aux harder than you’d ever dare on the main
- Blend underneath until it feels larger, not smaller
Download & Install
You can grab the plug-in directly from the release post here:
https://www.patreon.com/posts/ls-1176-purle-145772240
And if you want to explore the developer’s other releases and updates:
https://lotussoundaudio.com/
