Pelagial by Vicious Antelope is a free Omnisphere preset pack containing 150 sounds for cinematic composition, electronic music, new age, progressive rock, film scoring and game audio. Inspired by the expressive character of classic synthesizers, the collection draws on Omnisphere Soundsources associated with instruments such as the CS-80, Juno and Prophet-5.
This is not a free synthesizer or a standalone virtual instrument. Spectrasonics Omnisphere is required to load the sounds. For producers and composers who already own Omnisphere 2, Pelagial offers a substantial free expansion with a clear musical identity, commercial production rights and enough presets to support complete arrangements rather than a few isolated patches.

What Pelagial Is
Pelagial is a free Omnisphere 2 soundbank created by Vicious Antelope. The developer describes it as a collection of 150 presets inspired by the cinematic character and synthesizer language associated with electronic music pioneer Vangelis.
The bank is designed around classic synth Soundsources available inside Omnisphere. These include material connected to instruments such as the CS-80, Juno and Prophet-5, along with other vintage-inspired sources available through the Spectrasonics instrument.
The result is a preset collection aimed at musical expression rather than one narrow production trend. Pelagial can support atmospheric electronic music, film cues, game soundtracks, progressive rock arrangements, new age composition and synth-driven ambient work.
Official website: Visit the Pelagial product page on Vicious Antelope
Download: Download Pelagial from Vicious Antelope
What Is Included
Pelagial contains 150 presets for Spectrasonics Omnisphere 2. Vicious Antelope does not publish a complete category count or patch-by-patch list on the visible product page, so the bank should be approached as a broad cinematic and electronic collection rather than a narrowly divided preset library.
- 150 free Omnisphere presets
- Cinematic electronic sound direction
- Sounds suitable for new age and ambient composition
- Film scoring and game audio applications
- Progressive rock and synth-driven arrangement potential
- Omnisphere Soundsources associated with classic synthesizers
- CS-80-inspired source material
- Juno-inspired source material
- Prophet-5-inspired source material
- Royalty-free commercial production use under the Vicious Antelope license
Sound and Creative Direction
Pelagial is built around cinematic synthesizer character. Its musical direction points toward expressive leads, analog-inspired textures, atmospheric layers and the broad tonal movement associated with classic electronic scoring.
The bank is not presented as a modern festival EDM collection, an aggressive bass music toolkit or a club-focused Serum expansion. Its emphasis is on emotion, atmosphere and the relationship between vintage-inspired synthesis and contemporary cinematic production.
This makes Pelagial particularly relevant for composers who want sounds that can occupy more than one role. A preset can become the central voice of a cue, a harmonic layer behind acoustic instruments, a background atmosphere or a subtle analog color supporting a larger arrangement.
Omnisphere is especially effective in this kind of work because its presets can combine synthesis, Soundsources, modulation and effects inside one patch. Pelagial uses that environment to explore recognizable vintage character without requiring producers to own the original hardware instruments.
Classic Synth Soundsources
Vicious Antelope states that Pelagial uses Omnisphere Soundsources connected to classic instruments such as the CS-80, Juno and Prophet-5. These sources give the bank a vintage electronic foundation while Omnisphere provides the modulation and processing framework around them.
Classic synthesizer material remains valuable because it can be direct and emotionally clear. A strong analog-style waveform does not need twenty layers to become expressive. Filter movement, envelope timing, modulation and performance control can often provide enough variation for an entire musical section.
Pelagial places these familiar tonal references inside a cinematic context. That gives producers access to classic synth color while retaining the flexibility of a modern software instrument.
CS-80-Inspired Character
The CS-80 is closely associated with expressive cinematic synthesis. Omnisphere Soundsources inspired by that instrument can provide a strong foundation for broad leads, brass-like tones, atmospheric pads and emotionally responsive melodic voices.
Within a cinematic arrangement, these sounds can work as alternatives to orchestral brass or solo strings. They do not need to imitate acoustic instruments directly. Their purpose can be to carry a melody with enough movement and harmonic weight to stand alongside an orchestra.
For ambient and new age music, slower attacks and long releases can transform expressive synth material into wider harmonic beds. Modulation, aftertouch and filter movement can help sustained notes evolve without filling the arrangement with additional instruments.
Juno-Inspired Sources
Juno-style synthesis is often associated with direct analog tone, warm chords, rounded basses and chorus-rich pads. These qualities make it useful across electronic music, synthwave, progressive rock and soundtrack production.
In a cinematic context, a Juno-inspired layer can add warmth beneath more detailed Omnisphere textures. It can support a chord progression without becoming overly complex or place a gentle analog surface behind piano, guitar or orchestral samples.
For progressive rock and electronic arrangements, this type of source can also provide rhythmic chords, melodic support and vintage-style movement without forcing the track into a purely retro direction.
Prophet-5-Inspired Sources
Prophet-5-inspired material offers another classic polyphonic synth color. It can suit chords, pads, brass-like patches, leads and evolving harmonic layers.
The strength of this type of sound is balance. It can feel warm and recognizable without becoming too soft, making it useful for arrangements where the synthesizer needs to remain present beside drums, guitars or orchestral percussion.
Inside Omnisphere, Prophet-style source material can also be expanded with additional modulation, filtering and effects. A familiar analog tone can therefore become a wider cinematic texture, a moving sequence or a more experimental hybrid patch.
Cinematic Scoring Potential
Pelagial is particularly well suited to film and media composition. Its vintage-inspired electronic direction can work in science fiction, drama, mystery, documentary, fantasy and atmospheric visual projects.
A cinematic preset bank becomes useful when its sounds can serve several narrative functions. Sustained layers can create emotional space. Darker patches can support tension. Expressive leads can carry themes, while rhythmic material can provide movement beneath dialogue or action.
The sounds can also be layered with orchestral instruments. An analog-style pad beneath strings can add width, while a soft synth voice behind brass can extend the sustain and create a larger hybrid texture.
Composers should keep these layers controlled. The goal is not always to make the synth obvious. Sometimes the strongest electronic layer is the one that disappears into the orchestra while quietly changing the emotional weight of the scene.
Game Music and Interactive Audio
Pelagial also fits game audio workflows, where composers often need sounds that can move between atmosphere, melody and environmental texture.
Vintage-inspired electronic patches can work especially well in exploration sequences, futuristic locations, menus, narrative scenes and science-fiction environments. They can also support fantasy or historical settings when used as subtle emotional layers rather than overt electronic leads.
For adaptive game music, presets can be separated into stems or intensity layers. A soft pad may form the base state, with a stronger lead, sequence or additional texture introduced as gameplay intensity increases.
Omnisphere automation can help create alternate versions of the same sound. Filter position, effect balance and modulation depth can be changed across stems while preserving a consistent sonic identity.
New Age and Ambient Production
The official product page identifies new age as one of Pelagial’s intended genres. This is a natural fit for a collection built around expressive classic synthesizer color and cinematic atmosphere.
New age and ambient music often rely on sustained harmony, patient development and gradual tonal movement. A preset does not need a complex melody to remain engaging if its modulation, filtering and spatial processing continue to evolve.
Producers can use Pelagial for long chords, slow melodic passages, background layers and meditative electronic arrangements. Combining a warmer analog-style patch with field recordings, acoustic piano or soft percussion can create a wider organic environment.
Reverb should still be controlled carefully. Omnisphere patches can already contain significant spatial processing, and adding another enormous reverb to every channel may turn a peaceful soundscape into a luxurious weather system.
Progressive Rock Applications
Pelagial is also positioned for progressive rock, a genre where synthesizers frequently move between supporting harmony, lead performance, atmosphere and sound design.
Classic synth tones can sit naturally beside electric guitar, bass and acoustic drums. A sustained pad can widen a chorus, while an expressive lead can answer a guitar melody or carry a separate instrumental section.
For denser arrangements, producers should simplify the synth voicing. Large chords may compete with guitars and keyboards in the midrange, so fewer notes and clearer octave placement often produce a stronger result.
Vintage-inspired sounds can also work in intros, interludes and transitions, where the synthesizer has more space to establish mood before the full band enters.
Omnisphere Compatibility and Requirements
Pelagial requires Spectrasonics Omnisphere. The presets were created with Omnisphere 2.8 and are described as working best with that edition or a newer version.
Vicious Antelope lists the original development environment as Omnisphere Software 2.8.4d, Soundsources 2.6.1c and Patches 2.8.1c. Producers using an older Omnisphere installation should update before importing the bank.
- Required synthesizer: Spectrasonics Omnisphere
- Recommended version: Omnisphere 2.8 or newer
- Software version used: 2.8.4d
- Soundsources version used: 2.6.1c
- Patches version used: 2.8.1c
- Standalone instrument included: no
- Serum compatibility: no
- Vital compatibility: no
- Kontakt compatibility: no
- Exact preset file extension: not specified on the visible product page
Omnisphere is a paid software instrument and is not included with the free preset bank. Pelagial should therefore be described as a free soundbank for existing Omnisphere users, not as a complete free virtual instrument.
Who Should Use Pelagial?
Pelagial is best suited to producers and composers who already own Omnisphere and want a broad collection of cinematic, electronic and vintage-inspired presets.
- Film composers creating synth-driven or hybrid scores
- Game composers building atmospheric and futuristic environments
- Ambient musicians looking for expressive electronic layers
- New age producers working with sustained harmony and texture
- Progressive rock artists combining synthesizers with guitars and drums
- Electronic producers interested in classic synth character
- Sound designers building vintage-inspired cinematic tones
- Home studio users expanding an Omnisphere preset library
Creative Applications
For film scoring, begin with one expressive preset and build the cue around its performance. A strong lead or pad can define the emotional direction before orchestral layers are introduced.
For ambient music, use sparse voicings and longer note durations. Automate filters, modulation depth and effects gradually rather than adding constant new musical material.
For progressive rock, layer a warmer synth beneath guitar chords or use an expressive electronic lead as a separate melodic voice. Keep the synth arrangement clear enough to avoid crowding the band.
For game music, create several intensity versions of the same patch. Reduce modulation and effects for quieter exploration sections, then introduce brighter filtering or stronger rhythmic movement during action.
For new age composition, combine Pelagial with piano, acoustic percussion, soft strings or environmental recordings. The classic synth sources can add electronic depth without overpowering the organic elements.
License and Usage Rights
Vicious Antelope grants a non-exclusive and non-transferable license to use its presets in commercial and non-commercial musical compositions.
The permitted uses include digital releases, streaming platforms, YouTube and social media, music libraries, film, television, video games, physical releases, live performances and client projects.
Users may sample, edit, process, layer and manipulate the preset sounds inside their productions. The presets may be used individually as a channel inside a musical work without a required minimum duration or mandatory layering rule.
The license does not permit reselling, redistributing, sharing, sublicensing or repackaging the original preset bank. Users should not upload the raw files to another marketplace, distribute them as a competing library or transfer the product to other people.
Vicious Antelope also states that melodic sequences generated by internal sequencers, arpeggiators or modulation sources should be transformed into original musical material. Producers using sequenced presets should therefore edit the notes, rhythm, harmony or arrangement before commercial release.
Download Details
Pelagial is available at 0,00 € from the official Vicious Antelope store. The bank must be added to the cart and processed through the free checkout system before the download is delivered.
The store describes its products as instant digital downloads after checkout. A valid email address should be used during the order process so the download information can be received correctly.
Official product page: https://www.viciousantelope.com/products/pelagial-omnisphere-2
License terms: Read the Vicious Antelope Terms of Service
Production Tips
Update Omnisphere before installing the bank. Pelagial was created with version 2.8, and older software, Soundsources or patch libraries may create compatibility problems.
Begin with the preset macros and performance controls before opening the deeper Omnisphere interface. The most musically useful variations may already be mapped for quick adjustment.
Reduce effects when layering several cinematic sounds. Many Omnisphere presets are designed to sound complete in isolation, but a full arrangement needs room for other instruments.
Use expression and modulation rather than playing every note at the same intensity. Classic synth character often becomes more convincing when filters, dynamics and vibrato respond to the performance.
When using arpeggiated or sequenced patches, edit the generated musical pattern. Change the notes, timing, chord progression or rhythmic structure so the final composition develops its own identity.
Save customized versions of useful presets. Adjusting envelopes, effects, filters and modulation can turn the original bank into a more personal working library while preserving the factory files.
The Role of Free Omnisphere Soundbanks
Omnisphere includes a large factory library, but third-party preset banks remain valuable because they organize the instrument around a specific creative point of view.
Pelagial does not attempt to cover every possible genre. Its value comes from a clear combination of cinematic atmosphere, classic synthesizer references and electronic composition.
This kind of free preset pack can also help producers learn the instrument. Examining how finished sounds use Soundsources, filters, modulation and effects provides practical insight into Omnisphere programming.
With 150 presets, Pelagial offers more than a small promotional sampler. It provides enough material to explore several projects, build complete arrangements and develop customized variations without immediately returning to the same handful of factory patches.
Final Verdict
Pelagial by Vicious Antelope is a substantial free Omnisphere preset pack for composers and producers working in cinematic music, electronic production, new age, game audio and progressive rock.
Its strongest qualities are its scale, its clear vintage-inspired direction and its use of Omnisphere Soundsources associated with classic instruments such as the CS-80, Juno and Prophet-5.
The bank requires Omnisphere 2.8 or a newer edition, so it is not a free instrument for users who do not already own Spectrasonics’ synthesizer. For existing Omnisphere users, however, the 150 presets provide a serious expansion with verified commercial music usage rights.
For producers looking for free Omnisphere presets, cinematic synth presets or a vintage-inspired Omnisphere soundbank for film scoring, game music and atmospheric electronic production, Pelagial is a valuable download from Vicious Antelope.


